By Steve Centanni
Issue #190
November 03, 2009
With the release of their 2003 debut “Safe Harbor,” Peek became an instant favorite in the Port City with their even-tempered original rock. Their sound has earned them a legion of dedicated fans and almost as many Nappie Awards for “Best Local Band.”
As the years went by, Chris Powell (Rhythm Guitar/Vocals), Timmy Dennis (Lead Guitar/Vocals), Andy Cobb (Bass/Vocals) and John Hamilton, IV (Drums/Vocals) played countless gigs at countless area watering holes. All the while, their fans have been waiting patiently for their sophomore effort and wondering what the future held for this band.
Band: 92 Zew’s Second Tuesday feat. Peek’s CD Release Party Date: Tues., Nov. 10 at 7 p.m. Venue: The Blue Gill Waterfront Amphitheater, 3775 Battleship Pkwy, www.bluegillrestaurant.com Tickets: Free
But now, after six years, the waiting and the mystery is over, as Peek will share their latest release “Neighbors, Lovers and Others” at the Blue Gill on Tuesday, Nov. 10.
According to Hamilton, Peek always had plans for another album.
With a guiding hand from manager Bobby Gregory, they decided to set their goals high with the creation of this effort. They realized that it takes money in order to create a quality album. So with each gig, they began to put away a portion of money.
“Before we knew it, we had $5,000 saved up,” Hamilton said. “We were like, ‘Wow! If we can save $5,000, we can save $10,000. What’s the best quality CD we could make for $10,000 or $15,000?’ It opened up a whole new doorway to us.”
The members of Peek began weighing their options concerning the album’s production. They spent time reviewing albums from their favorite artists and finally decided on procuring the services of Fudge Recording Studio in New Orleans.
Fudge Recording Studio is Better Than Ezra’s personal studio (now open to the public) and helmed by the band’s bassist/background vocalist Tom Drummond.
They explained to Drummond that they wanted something more than just a studio that would produce a quality recording – that was something they could accomplish in Mobile. They also wanted help with the arrangement of each song. Drummond and his staff met their needs and rearranged eight out of the 10 songs recorded for this release, according to Hamilton.
“We would play the songs to Tom, and it was Tom and Jacques deLatour (studio engineer) and us,” Hamilton said. “There were six of us in the room. We would play the songs, and Tom would listen to it once or twice. He would say, ‘I love the ending. Let’s put the ending at the beginning.’ We were like, ‘OK.’ Then he would be like, ‘We need to move the guitar solo over here and the bridge over here.’”
“Neighbors, Lovers, and Others” quite literally has songs based on neighbors, friends and “others.” Based on the content, the title may have seemed like an obvious choice, but Peek found it difficult to come up with a name for this album. So, they went to their fans for help.
At several shows, they put a jar on the stage with a piece of paper that simply said, “Name the album.” They came across a slip of paper with “Neighbors, Friends, and Others” on it, and the album was named. However, Hamilton claimed that they have since lost the slip of paper and have no idea which one of their fans came up with the name.
Peek’s latest effort is considered by the band to be more of a collaborative work than “Safe Harbor.” This process began with each member bringing songs they were working on to each rehearsal. Some of these songs would be near completion and require a few finishing touches such as a bridge or a final verse. Other songs might have been completed lyrically but need to be set to music.
“It was a pretty good group effort, a lot more than the last one,” Hamilton said. “Maybe there was one or two out of the 10 that were not a group effort. For the most part, everybody sat and wrote music and lyrics.”
This group collaboration in the songwriting process definitely had an effect on the finished product but they are still very personal songs.
Dennis was inspired by his wife Ashley for his contribution (“It’s the Best Thing”). The song “San Francisco” was Powell’s contribution and tells of a time he tried to convince a girl that she should not move to San Francisco, because Mobile has some of the same features. Hamilton conjured memories from his childhood to compose the sixth track “Strawberry Blondes.”
“When I was a kid, one of the earliest memories I have of playing drums was that I had a little toy drum set, and my mom would sing that song, ‘As Casey would waltz with the strawberry blonde, and the band played on,’” Hamilton said. “She would sing that, and I would play a waltz. I was probably 6-years-old, and she was teaching me how to play a waltz. She would sing ‘And the Band Played On.’ People listen to the song, and they’re like, ‘I didn’t know your mom was a strawberry blonde.’ So, that song is very personal to me.”
For their release party, Peek will treat their audience to the entirety of “Neighbors, Lovers, and Others,” as well as several favorites from “Safe Harbor.”
Hamilton said that they also plan on promoting their latest work at original venues around the Port City such as Callaghan’s, Alabama Music Box and Serda’s Coffee Company. In addition to local promotion, Peek has made it a goal to travel each month to cities such as Atlanta, New Orleans and Nashville.
“Neighbors, Lovers and Others” will be available for purchase at the Bluegill for $15.
http://www.lagniappemobile.com/articles/2777-peek-releases-new-cd-at-the-blue-gill